“The Hawai'i Triennial 2022: E Ho‘omau no Moananuiākea” (ArtReview, 2022) [PRINT]
“Jorge Peris’s Desembarco en el País de Nunca Jamás at Nicodim, Los Angeles” (art-agenda, 2021)
“Yukinori Yanagi at Blum & Poe, Los Angeles” (ArtReview Asia, 2021) [PRINT]
“Art Project: Unstoppable” (Sorbet Magazine, 2021) [PRINT]
“Constantin Nitsche’s Violette at O-Town House, Los Angeles” (art-agenda, 2021)
“Art Project: Louise Bourgeois and the Ancient World” (Sorbet Magazine, 2021) [PRINT]
“Glazed and Confused: Window Peeping in Jonathan Schmidt-Ott's Photography”
(monograph essay for St. Gil by Jonathan Schmidt-Ott, 2021) [Print]
“Ben Sakoguchi: Chinatown at Bel Ami, Los Angeles” (ArtReview Asia, 2021) [Print]
“Art Project: Simply Sottsass” (Sorbet Magazine, 2021) [PRINT]
“Caitlin Keogh: Waxing Year at Overduin & Co.” (The Brooklyn Rail, 2021)
“Another Dawn: On Tom Reed’s this is the before,” (catalog essay, Bruno David Gallery, St. Louis, Missouri, 2021) [PRINT]
“Jeffrey Gibson’s It Can Be Said of Them at Roberts Projects” (art-agenda, 2021)
“Emilija Škarnulytė” (CURA., 2020) [PRINT]
“Around About Trinh T. Minh-ha” (ArtReview Asia, 2020) [PRINT]
“Art Project: Artisanal” (Sorbet Magazine, 2020) [PRINT]
“Art Project: Isolation” (Sorbet Magazine, 2020) [PRINT]
“Sonic Avenues // #3: Aphorism | Anthem: Christine Sun Kim” (THE SEEN, 2020)
“Art Project: Weird and Wonderful” (Sorbet Magazine, 2020) [PRINT]
“Sonic Avenues // #2: Ululation” (THE SEEN, 2020)
“Frieze LA 2020” a report on the fair (Canvas: Art and Culture from the Middle East and Arab World, 2020) [PRINT]
“Ground Rules” a review of Shirin Neshat’s I Will Greet the Sun Again at The Broad (Canvas: Art and Culture from the Middle East and Arab World, 2020) [PRINT]
“The Loaded Symbols of Lari Pittman” (ArtReview, 2020) [PRINT]
“Sonic Avenues // #1: Jónsi” (THE SEEN, 2020)
“Resilience: Philip Guston in 1971” at Hauser & Wirth, Los Angeles (The Brooklyn Rail, 2019)
“Sayre Gomez: X-Scapes” at François Ghebaly Gallery (The Brooklyn Rail, 2019)
“Inhwan Oh: My Own Blind Spots” at Commonwealth and Council/Baik Art (ArtReview Asia, 2019) [PRINT]
“Art Project: Red” (Sorbet Magazine, 2019) [PRINT]
“Art Project: Performance Art” (Sorbet Magazine, 2019) [PRINT]
“Barbara Kruger at The Geffen Contemporary at MOCA” (Spike Art Magazine, 2019) [PRINT]
“Cameron Rowland’s D37 at MOCA Grand Avenue” (Spike Art Magazine, 2019) [PRINT]
“SPACES: Plants” (art-agenda, 2019)
“Paper Speaks: On Song-Ming Ang’s Music Manuscripts” (catalog essay for Song-Ming Ang’s exhibition Music for Everyone: Variations on Theme,
Pavilion of Singapore, Venice Biennale, 2019) [PRINT]
“Brain Trust: Performing Biodata // Jason J. Snell” (THE SEEN, 2019) [PRINT]
“LA: A Freeze Frame of Fame and Fortune” a report on Frieze LA, with a profile on Lisa Anne Auerbach
(Canvas: Art and Culture From the Middle East and Arab World, 2019) [PRINT]
“Precise / Approximate: Reflections on the Photography of Jonathan Schmidt-Ott” in Se così fosse
by Jonathan Schmidt-Ott (a+G Press, 2018) [PRINT]
“Camille Blatrix’s Somewhere Safer at Kunstverein Braunschweig” (art-agenda, 2018)
“Zero to the Unknown: A Progress Report on Element.a 3, Berlin (Hausordnungstopia)” (exhibition catalog, 2018) [PRINT]
“Master Plan” a profile on Heba Y. Amin (Canvas: Art and Culture from the Middle East and Arab World, 2018) [PRINT]
“10th Berlin Biennale: ‘We Don't Need Another Hero’” (art-agenda, 2018)
“Tangled Unity: New Histories in Film and Video from Southeast Asia” (ART COLOGNE–FILM COLOGNE, 2018)
“transmediale festival 2018: ‘face value’ at Haus der Kulturen der Welt” (art-agenda, 2018)
“in search of characters... at Galerie Neu” (art-agenda, 2018)
“XAOS: Aleks Slota‘s It Happened Here” (exhibition catalog, 2017) [PRINT]
“The House of Pearled Cultures” (Temporary Art Review, 2017)
“A Backwards Prowl: Gender and Power in Nicki Minaj’s ‘Anaconda’” (Serpentine Magazine, 2014)